Portrait of Wayne by Ken Merfeld, 2008
“The tools I create and work with are pinhole cameras. With pinhole photography, the same air that touches my subject can pass through the pinhole and touch the photo emulsion on the film. There’s no barrier between the two. There are no lenses changing and manipulating light. There are no chips converting light to binary code. With pinhole what you get is an unmanipulated true representation of a segment of light and time, a pure reflection of what is at that moment. With some exposure times getting close to 2 hours, it’s an unsegmented movie from a movie camera with only one frame.
The creation of a camera comes from my desire to relate to a subject. When I choose a subject I spend time studying it. Then I start visualizing how I would like a photo of the subject to look. When that’s figured out, I start on the camera stage of the project by collecting parts, artifacts and relics that relate to the subject. When I’ve gathered enough parts and feel for the subject, I start the construction of the camera. I create the cameras from Aluminum, Titanium, Copper, Brass, Bronze, Steel, Silver, Gold, Wood, Acrylic, Glass, Horn, Ivory, Bone, Human Bone, Human Skulls, Human Organs, Formaldehyde, HIV+ Blood and relics all designed to be the sacred bridge of a communion offering between myself and the subject. All to witness and be a tool of the horrors of creation and the beauty of decay presented by the author light and time.”
CK → Interestingly enough, the first time I met Wayne, he wasn’t toting a pinhole camera, but instead he was playing the didgeridoo for the Wicked Tinkers. In 2004 I was asked by the band to photograph them playing live at the Long Beach Celtic Musical Festival in California. After seeing and hearing the band play along with talking with Wayne, I was instantly inspired by his passion for making art… whatever form it may be. Ironically, It was until after I’d photographed the band that I found out that we both shared a simlar interest for pinhole photography.
Camera: Dragonfly
Wayne Belger’s Dragonfly pinhole camera
Title: Rylee
11″x14” toned gelatin silver print subject painted
with prickly pear black tea
Title: Tara
11″x14” toned gelatin silver print subject painted
with prickly pear Black tea
Camera: Wood
Wayne Belger’s “Wood” Camera
Color pinhole image created with the “Wood” camera
Camera: Third Eye
Wayne Belger’s Third Eye pinhole Camera
Title: Two Hearts
11”x14” gelatin silver print (from Roadside Altar series)
Title: San Francisco
11”x14” gelatin silver print from Polaroid negative
Camera: Yemaya
Wayne Belger’s Yamaya underwater pinhole camera
itle: Catalina 1
20”x24” C-print
Title: Monterey 2
20”x24” C-print
Underwater pinhole photo process. Wayne SCUBA diving in the Monterey Bay Aquarium’s Kelp Forest Tank, using the Yemaya underwater pinhole camera.
Camera: Classic
Wayne Belger’s Classic pinhole Camera
Black and white sepia pinhole image created with the “Classic” pinhole camera
Pictured above are a few of Wayne Belger’s pinhole cameras, hand crafted out of all sorts of interesting materials
Artist’s website:
boyofblue.com
You can find this feature on my CK Pinhole Photography // Monthly Featured Pinhole Photographers page.
All photos © 2008 Wayne Martin Belger and Reproduced by Permission

















by CK
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